Sonata for Trumpet and Piano was premiere at the NASM convention by J. Frank Elsass, a colleague of Kennan’s from the University of Texas. Buy Sonata for Trumpet and Piano (Trumpet Solo w at Trumpet Sheet Music. for Trumpet and Piano. Kent Kennan – Alfred Publishing Co., Inc. : Sonata for Trumpet and Piano: Edition, Part(s) ( ): Kent Kennan: Books.

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The transition into the cods is mostly based on the transition theme from earlier in the movement Dearden The development is the shortest section in the movement Dearden This is followed by a restatement of the main theme in a new key and at a slow tempo, making it lyrical at first, then transitioned to the original tempo and style Dearden The piece ends with a trumpet fanfare in E-flat Dearden Kennan wanted to write in a similar style of those who he admired, so he modeled his writing style after Paul Hindemith and Howard Hanson, a teacher of his McNamara None of these keys state a third, so there is no way to tell whether they are major or minor, just like in the first movement Dearden The return of the first theme is very similar to the first time it is stated, but it is transposed down a half step and the piano accompaniment is different Dearden It is also the only theme that stays centered around a tonic in the entire movement Dearden Views Read Edit View history.

His books Counterpoint and The Technique of Orchestration have been widely used as classroom texts. This statement of the theme ends with a ritardando that goes into a fermata Dearden All of the themes from the exposition are written in the recapitulation Dearden The second theme has the same character as the first theme, but it is melodically based on the intervals of triads instead of the main motive that is introduced in the first movement Dearden The second theme starts in the piano with an ostinato line over a pedal a D, followed by the trumpet two measure later, playing the main motive that was introduced in the first movement Dearden The second movement ends with a coda in C major, which has not been played in until this point in the piece Dearden You are commenting using your Twitter account.


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When the trumpet part has a long note or rests, the piano has a more sonaata part to keep the music interesting Dearden His Night Soliloquy was written in and is set for solo flute, piano and strings.

This piece is difficult in many ways. He was the half brother of the diplomat and historian George F.

Kent Kennan – Wikipedia

This movement also has a short closing theme Dearden Some analyze this movement as being in sonata form, while others analyze it as being in rondo form Dearden This article on a United States composer born in the 20th century is a stub.

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The main theme of this movement is written three times in a row, the first centered around E-flat Dearden The first theme then returns, once again, but it is altered much more than it was when it was stated the second time Dearden The piano part during this first theme is mostly comprised of chords that are moving in patterns that are traditional chord progressions Dearden In the coda, the trumpet is playing with a harmon mute and playing G, the dominant of C, until the last measure, when the line finally resolves to the tonic Dearden Then a short transition leads into a restatement of the third theme, but this time the soprano line of the chorale is played by the trumpet and the bottom three voices are not being played Dearden He also made the first movement shorter and slowed the tempos in the first and third movement slightly McNamara By using this site, you agree to the Terms of Use and Privacy Policy.


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You are commenting using your Facebook account. Movement II — Rather Slowly and with Freedom The second movement begins with a piano introduction that is made up of a G that stretches to kenan octaves Dearden A four-measure transition that is based on the main motive of the entire piece follows Dearden All of theme motives and variants of these motives are repeated throughout the course of this movement Dearden The first theme is played by the trumpet and is kfnt Dearden The rest of this movement is based largely around this main theme Dearden This first statement begins in minor, goes through Phrygian, and ends in major Dearden This section is distinct from the others in this movement because it is the only section that is not muted Dearden Works Cited Dearden, Jennifer Lorien Kennam 8 June By continuing to use this website, you agree to their use.

This site keng cookies. Most of it is an exact restatement of the exposition, but transposed up a half step Dearden